The author uses numbers, shapes, and equations as his basic creative tools, like other artists use colors, brushes, or matter. In this work, mathematical principles are intertwined with artistic expression. The works are visual compositions of current thoughts and reflections, and they can also be deeply personal experiences. His fascination with mathematics and its rules is an endless source of inspiration. It lets him experiment with structure, form, and meaning. Post factual is also a way to read the present, where certainty can look like speed and repetition.

Here, certainty is built from a rule, a relation, and a sign.

The exhibition takes place in the Liechtenstein House. It runs from 12 December 2024 to 2 February 2025. The opening is on Thursday 12 December 2024 at 17:00. It is open daily except Monday, from 13:00 to 17:00.

Post-factual is not only a label for an era. It is a habit of the mind. It is how we shorten the path to certainty. We do not search for truth. We search for the feeling that things hold together.

That is why slogans work. Numbers work too. Charts work too. Not because they are true. Because they look like a rule.

Mathematics in art does not have to mean coldness. It can mean discipline of attention. When the author builds an image from numbers, shapes, and equations, he offers a different ethics of seeing. He suggests that meaning does not come only from emotion. It also comes from relations. And relations can be examined, even when they are fragile. In a post-factual world, the order often flips. First comes the conclusion. Then we look for proof. This logic is comfortable. It is fast. And that is why it is risky.

A rule in this context is not a tyrant. A rule is a test. It shows where you are willing to deceive yourself. It shows where you want clarity at any cost. It also shows that clarity is not always the goal. Sometimes the goal is to stay precise, even when things cannot be closed.