To me, creation is a philosophical necessity, a dialogue between logical structure and lived experience. I don’t view determinism and freedom as opposites. Even in a world of rules, a finite subject encounters reality through a channel of limited resolution where certainty is replaced by a range of possibilities.

I work at the intersection of mathematics, language, and visual art. I use operators, equations, and vectors as compositional tools, not motifs. They function as syntax, active constraints that determine what can appear and what can be excluded and how meaning is distributed across a work.

Through constraints, repetition, and controlled variation, I build coherent systems in which a rule defines the field and an invariant preserves identity over time. Repetition is not redundancy; it is a method. Frequencies across iterations allow a resonant core to stabilize while alternative readings remain structurally present.

My work explores time, identity, and the invisible forces that shape reality. By mapping abstract thought onto a surface, I treat each piece as a measurement, a disciplined channel that produces a structured field of possible interpretations rather than a single message. Precision is a condition for resonance, not its enemy.