Creation is, for me, an act of philosophical necessity — a dialogue between the structures of logic and the fluidity of human existence.

My work exists at the intersection of mathematics, language, and visual art. I employ mathematical operators, equations, and vectors not merely as motifs, but as fundamental building blocks — a universal vocabulary that transcends cultural and semantic barriers.

I call this approach Aesthetic Logical Minimalism: a method of reducing expression to essential elements while preserving the emotional and existential charge of art. In this framework, aesthetics is not separated from reason; instead, beauty emerges precisely through logical clarity and structural purity.

My practice investigates time, identity, and the invisible forces shaping reality. By mapping abstract thought onto visual surfaces, I create spaces where language dissolves into structure, and meaning becomes an act of perception.

There’s plenty of time to be dead — but now is the moment to draw the invisible.